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	<title>CM Brosteanu</title>
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	<link>http://www.brosteanu.com</link>
	<description>Photoblog</description>
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		<title>Dialogue with Art</title>
		<link>http://www.brosteanu.com/dialogue-with-art/</link>
		<comments>http://www.brosteanu.com/dialogue-with-art/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 13:45:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[PROJECTS]]></category>
		<category><![CDATA[brosteanu]]></category>
		<category><![CDATA[cm brosteanu]]></category>
		<category><![CDATA[constantin brosteanu]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Dialogue with Art]]></category>
		<category><![CDATA[dystopian]]></category>
		<category><![CDATA[fantasies]]></category>
		<category><![CDATA[Greg Leech]]></category>
		<category><![CDATA[Gregory Crewdson]]></category>
		<category><![CDATA[Liverpool John Moores University]]></category>
		<category><![CDATA[LJMU]]></category>
		<category><![CDATA[manchester]]></category>
		<category><![CDATA[Manchester Art Gallery]]></category>
		<category><![CDATA[Philip-Lorca diCorcia]]></category>
		<category><![CDATA[Stockport College]]></category>
		<category><![CDATA[suburban]]></category>
		<category><![CDATA[Thomas Gainsborough]]></category>
		<category><![CDATA[Twilight]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=330</guid>
		<description><![CDATA[An idealised mood of humility and gratitude appealed to picture-buying landowners of the 18th Century when the legislation left the poor more dependent on the generosity of employers and charities. The work is a time travelled image of Gainsborough’s character into a present day imaginary setting; A cinematic approach with direct references to diCorcia’s vision [...]]]></description>
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		<title>Rogue</title>
		<link>http://www.brosteanu.com/rogue/</link>
		<comments>http://www.brosteanu.com/rogue/#comments</comments>
		<pubDate>Fri, 09 Sep 2011 17:43:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[GALLERY]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[casian]]></category>
		<category><![CDATA[chapeltown street]]></category>
		<category><![CDATA[clara]]></category>
		<category><![CDATA[clara casian]]></category>
		<category><![CDATA[manchester]]></category>
		<category><![CDATA[open studios]]></category>
		<category><![CDATA[piccadilly]]></category>
		<category><![CDATA[project space]]></category>
		<category><![CDATA[rogue]]></category>
		<category><![CDATA[rogue studios]]></category>
		<category><![CDATA[studios]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=320</guid>
		<description><![CDATA[Rogue Artists Studios 2011]]></description>
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		<item>
		<title>Armando</title>
		<link>http://www.brosteanu.com/armando/</link>
		<comments>http://www.brosteanu.com/armando/#comments</comments>
		<pubDate>Sun, 05 Jun 2011 21:59:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[PROJECTS]]></category>
		<category><![CDATA[armando]]></category>
		<category><![CDATA[brosteanu]]></category>
		<category><![CDATA[cm]]></category>
		<category><![CDATA[cm brosteanu]]></category>
		<category><![CDATA[conceptual]]></category>
		<category><![CDATA[constantin]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[manchester]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[uk]]></category>
		<category><![CDATA[vernacular]]></category>
		<category><![CDATA[william eggleston]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=274</guid>
		<description><![CDATA[Armando by CM Brosteanu Conceptual Documentary]]></description>
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		<item>
		<title>Photography and the Taboo of Death</title>
		<link>http://www.brosteanu.com/deathtaboophoto/</link>
		<comments>http://www.brosteanu.com/deathtaboophoto/#comments</comments>
		<pubDate>Mon, 09 May 2011 23:09:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[PROJECTS]]></category>
		<category><![CDATA[andres serrano]]></category>
		<category><![CDATA[brosteanu]]></category>
		<category><![CDATA[cm brosteanu]]></category>
		<category><![CDATA[constantin brosteanu]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[essay]]></category>
		<category><![CDATA[hippolyte bayard]]></category>
		<category><![CDATA[krass clement]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[sue fox]]></category>
		<category><![CDATA[taboo]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=265</guid>
		<description><![CDATA[Photography and the Taboo of Death by CM Brosteanu Artists&#8217; interest in mortality can be seen in work from Hans Holbein&#8217;s 16th-century The Ambassadors, in which a skewed skull comments on the vanity of the sitters, to Damien Hirst&#8217;s recent diamond encrusted skull. In ‘Self Portrait as a Drowned Man’, Hippolyte Bayard for instance theatrically [...]]]></description>
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		<item>
		<title>The Influence of The Exotic in Early Erotic Photography</title>
		<link>http://www.brosteanu.com/erotic-photograph/</link>
		<comments>http://www.brosteanu.com/erotic-photograph/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 12:08:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[PROJECTS]]></category>
		<category><![CDATA[alger]]></category>
		<category><![CDATA[colonies]]></category>
		<category><![CDATA[erotic]]></category>
		<category><![CDATA[exotic]]></category>
		<category><![CDATA[french]]></category>
		<category><![CDATA[kanak]]></category>
		<category><![CDATA[maghreb]]></category>
		<category><![CDATA[malek alloula]]></category>
		<category><![CDATA[nude]]></category>
		<category><![CDATA[voyeur]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=245</guid>
		<description><![CDATA[The Influence of The Exotic in Early Erotic Photography by CM Brosteanu Before 1835 images of nude women generally consisted of drawings and paintings that were displayed on the walls of galleries and in private collections. When the new technology of photography appeared it was quickly adopted by artists, anxious for new ways to depict [...]]]></description>
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		<item>
		<title>Liquid City</title>
		<link>http://www.brosteanu.com/liquid-city/</link>
		<comments>http://www.brosteanu.com/liquid-city/#comments</comments>
		<pubDate>Tue, 08 Mar 2011 20:32:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[PROJECTS]]></category>
		<category><![CDATA[75 years later]]></category>
		<category><![CDATA[brosteanu]]></category>
		<category><![CDATA[city]]></category>
		<category><![CDATA[cm brosteanu]]></category>
		<category><![CDATA[college project]]></category>
		<category><![CDATA[constantin brosteanu]]></category>
		<category><![CDATA[liquid cities]]></category>
		<category><![CDATA[manchester]]></category>
		<category><![CDATA[manchester postcards]]></category>
		<category><![CDATA[old photographs]]></category>
		<category><![CDATA[photography project]]></category>
		<category><![CDATA[quantum leap]]></category>
		<category><![CDATA[time travel]]></category>
		<category><![CDATA[uni project]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=234</guid>
		<description><![CDATA[Manchester 75 Years Later Manchester is the symbol of the urban metamorphosis – a city in continuous change. People, buildings, business – all coming and going. My concept word for Manchester is “ever-changing”. The City Centre, destroyed in the Christmas Blitz of 1940 and IRA bombing in 1996, is now bigger and brighter than ever. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Format 11</title>
		<link>http://www.brosteanu.com/format_festival/</link>
		<comments>http://www.brosteanu.com/format_festival/#comments</comments>
		<pubDate>Thu, 03 Mar 2011 16:18:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[EXHIBITIONS]]></category>
		<category><![CDATA[derby]]></category>
		<category><![CDATA[format 11]]></category>
		<category><![CDATA[format festival]]></category>
		<category><![CDATA[international photography festival]]></category>
		<category><![CDATA[right here right now]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=223</guid>
		<description><![CDATA[Format 11 International Photography Festival Derby, UK from [4 Mar 11 - 3 Apr 11] FORMAT was established in 2004, by Louise Clements and Mike Brown, and is now one of the UK&#8217;s leading non-profit international contemporary festivals of photography and related media. The biennale programme celebrates the wealth of contemporary practice in international photography. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>In Conversation with Petersen and Engstrom</title>
		<link>http://www.brosteanu.com/in-conversation-with-petersen-and-engstrom/</link>
		<comments>http://www.brosteanu.com/in-conversation-with-petersen-and-engstrom/#comments</comments>
		<pubDate>Wed, 02 Mar 2011 14:35:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[EXHIBITIONS]]></category>
		<category><![CDATA[anders petersen]]></category>
		<category><![CDATA[bradford]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[in conversation]]></category>
		<category><![CDATA[jh engstrom]]></category>
		<category><![CDATA[luc quelin]]></category>
		<category><![CDATA[national media museum]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=206</guid>
		<description><![CDATA[* In Conversation with Anders Petersen and JH Engstrom * Screening of &#8216;L&#8217;Art et la Maniere&#8217; The National Media Museum, Bradford [Tuesday 22 March 2011, Time: 13.00] The photographic work of Anders Petersen and JH Engström deals unflinchingly with experience, memory and the human condition. They established their reputations with two seminal works, Petersen&#8217;s Café [...]]]></description>
		<wfw:commentRss>http://www.brosteanu.com/in-conversation-with-petersen-and-engstrom/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pulse</title>
		<link>http://www.brosteanu.com/pulse/</link>
		<comments>http://www.brosteanu.com/pulse/#comments</comments>
		<pubDate>Wed, 23 Feb 2011 19:29:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[PROJECTS]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[buildings]]></category>
		<category><![CDATA[environment]]></category>
		<category><![CDATA[pulse]]></category>
		<category><![CDATA[social]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=184</guid>
		<description><![CDATA[I’ve been fascinated by the oscillation between the ugly and the beautiful and I’ve been interested in the superimposition of social inscribed into architecture. It is a multi-layered cultural phenomenon. These buildings, cold and impersonal in the real space, couldn’t be reduced to ugly mass architecture. I’m reshaping the real and fictive spaces in order [...]]]></description>
		<wfw:commentRss>http://www.brosteanu.com/pulse/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shadow Catchers</title>
		<link>http://www.brosteanu.com/shadow-catchers/</link>
		<comments>http://www.brosteanu.com/shadow-catchers/#comments</comments>
		<pubDate>Wed, 16 Feb 2011 19:45:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[EXHIBITIONS]]></category>
		<category><![CDATA[adam fuss]]></category>
		<category><![CDATA[camera-less photography]]></category>
		<category><![CDATA[floris neusüss]]></category>
		<category><![CDATA[garry fabian miller]]></category>
		<category><![CDATA[pierre cordier]]></category>
		<category><![CDATA[shadow catchers]]></category>
		<category><![CDATA[susan derges]]></category>

		<guid isPermaLink="false">http://www.brosteanu.com/?p=167</guid>
		<description><![CDATA[Shadow Catchers: Floris Neusüss, Pierre Cordier, Susan Derges, Garry Fabian Miller and Adam Fuss V&#38;A, London [13 Oct 10 - 20 Feb 11] The essence of photography lies in its seemingly magical ability to fix shadows on light-sensitive surfaces. Normally, this requires a camera. Shadow Catchers, however, presents the work of five international contemporary artists [...]]]></description>
		<wfw:commentRss>http://www.brosteanu.com/shadow-catchers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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